Handwoven in Tamil Nadu · Est. 2019

Heirlooms
from the Loom.

From the loom, directly.

Pure mulberry silk, Mysore crepe, tussar, and Chinnalapatti cotton — woven by master artisans in our weaver villages and shipped, signed, to you. No middlemen.

A woman in a handwoven silk saree with marigold petals caught mid-air, photographed in a temple garden

From the loom to your hand — in four considered steps.

01

The Loom

Pit-looms in Kanchipuram, Mysore and Chinnalapatti. Yarns dyed, warp threaded by hand.

02

The Weaver Signs

Each finished piece is signed on a linen label in Tamil and English by the artisan.

03

Quality Check

Inspected in our Kanchipuram studio for zari count, drape weight and weave integrity.

04

Ship to You

Wrapped in handmade cotton muslin and despatched worldwide via DHL Express.

The Collection

Six Pieces,
Six Weavers.

Every item is unique — small colour and weave variations are the signature of the handloom.

Deep plum Kanjivaram silk saree with gold zari border, photographed beside a temple wall

Woven by Ramu Nair · Kanchipuram

Kanjivaram Silk Saree, Deep Plum with Gold Border

Pure mulberry silk, 2800 gold zari pallu, contrast ivory blouse piece. Woven by master Ramu Nair over six weeks at his family loom in Kanchipuram.

Ivory and gold Mysore silk shawl draped over a wooden rail

Woven by Lakshmi Iyer · Mysore

Mysore Silk Shawl, Ivory & Gold

Hand-loomed Mysore silk, 84 × 210cm, with a subtle gold kasaba border. A light, drapeable everyday piece — equally at home over a blouse or a kurta.

Earth-rust tussar silk dupatta with slub texture, folded on a linen surface

Woven by Anjali Mahato · Jharkhand

Tussar Dupatta, Earth Rust

Wild-reared tussar silk from the forests of Jharkhand, with its characteristic slubby texture. Madder-dyed to an autumn rust that deepens with wear.

Temple-border Chinnalapatti cotton saree in natural dye tones

Woven by Murugan Pillai · Chinnalapatti

Temple Border Cotton Saree

Chinnalapatti cotton with a crisp temple-border motif. Natural dyes only. Made for daily wear in the heat — breathes beautifully, softens with every wash.

Black silk stole with gold zari weft, folded and gift-boxed

Woven by Ramu Nair · Kanchipuram

Gold Zari Stole, Black

Silk warp, real gold zari weft, 70 × 180cm. Arrives in a stitched cotton gift box with the weaver's signature on the linen tag. A quiet luxury.

Hand-embroidered blouse piece in natural silk with chain-stitch detail

Embroidered by Saraswati Devi · Kanchipuram

Hand-embroidered Blouse Piece

One metre of natural silk with chain-stitch embroidery in five colourways. Cut to your measurements at a local tailor — enough fabric for a fitted blouse.

Revathi Gomathi, founder, photographed in a courtyard in Kanchipuram

Our Story

I grew up among the looms.
Then I went back to them.

My name is Revathi Gomathi. I was born in a weaving household in Kanchipuram — the kind of house where the shuttle's rhythm is the first thing you hear in the morning and the last thing you hear at night. My grandfather was a master Kanjivaram weaver; my mother dyed yarns in our back courtyard; three of my aunts ran a loom each on our street. I grew up with the smell of raw silk and the particular dust that hangs in the air of a weaver village in Tamil Nadu.

I left. Like many daughters of my generation, I went to Chennai to study, then to Bangalore for a corporate job in software, then to London for a Master's in Textile Design at Central Saint Martins. I stayed away for eleven years. I wore the Kanjivarams my mother posted me at weddings, and I understood — slowly, and then all at once — that the sarees hanging in my London wardrobe were more carefully made, more considered, more alive, than almost anything I was encountering in the designer boutiques around Bond Street.

I came home in 2019. The village had changed. Three of the eight looms on our street had closed. A national sari retailer had begun buying in bulk from Tamil Nadu weavers at rates so thin that the younger generation was leaving for the cities. My grandfather's loom was still running, but only just. I sat with him for a month and then decided what needed to be done.

The Gomathi is a direct-to-buyer label. We pay our weavers between 2.4× and 3× the standard buying rates. Every piece is signed on a linen label by the artisan who made it. We work with master weavers only — Ramu Nair in Kanchipuram, Lakshmi Iyer in Mysore, Murugan Pillai in Chinnalapatti, and Anjali Mahato, a tussar silk reeler and weaver in Jharkhand. There are no middle layers. When you buy a Gomathi saree, the name on the tag and the hands that made it are the same.

Our studio is on a lane in Kanchipuram that I walked as a child. We ship worldwide, wrapped in handmade cotton muslin, with a note about your weaver and an invitation to write back. Many of you do. Some of you have already bought your second and third pieces from us, and passed them on to your daughters. That is the old way — and it is the reason for all of this.

Revathi Gomathi

Founder, The Gomathi · Kanchipuram, Tamil Nadu

The Weavers

The hands behind each piece.

Three generations, three regions, three mastered techniques. Every saree in our collection is signed by one of them.

Master weaver Ramu Nair at his Kanchipuram pit-loom

Ramu Nair

Kanchipuram · 42 years at the loom

Fourth-generation Kanjivaram master. Specialises in temple-border and nine-yard bridal silks. Trained my grandfather's apprentices.

Lakshmi Iyer weaving Mysore silk crepe in Karnataka

Lakshmi Iyer

Mysore · 28 years at the loom

Third-generation Mysore silk specialist. Her mother-of-pearl kasaba borders are our most requested motif. Works from a home-loom in Channapatna.

Murugan Pillai weaving Chinnalapatti cotton in Tamil Nadu

Murugan Pillai

Chinnalapatti · 36 years at the loom

Natural-dye cotton weaver. Works in madder, indigo, pomegranate and turmeric. Trains his two daughters and three village apprentices.

A handwoven silk saree being draped in the Nivi style

Drape Guide

A saree is six yards of possibility.

A Kanjivaram saree is 6.4 metres long, roughly 1.15 metres wide, and weighs between 600 and 900 grams. Draped well, it becomes a garment of extraordinary elegance. Draped badly, it trips you at weddings. We include a printed drape card in every order — but here are the essentials.

  • Wear a fitted petticoat (cotton, drawstring) in a close colour match — it forms the foundation of the drape.
  • Tuck the plain end into the petticoat at the navel, work anti-clockwise once fully around the body.
  • Form five to seven pleats at the front, each about the width of your palm, tuck at the navel.
  • Bring the remaining fabric across the front, over the left shoulder — this is the pallu.
  • Pin the pallu at the shoulder with a small safety pin. Adjust the pleats at the front, and you are done.

If this is your first saree, we recommend the Chinnalapatti cotton — lighter, more forgiving, cooler in the heat. Once you have the drape, everything else follows.

From Our Buyers

Letters, not reviews.

★★★★★

"The Kanjivaram arrived in its muslin wrap with Ramu's signature on the tag. My mother, who is from Madurai, said it was better than anything she had seen in the Chennai boutiques. I wore it to my niece's wedding."

Priya V.

London, UK

Kanjivaram Silk Saree, Deep Plum

★★★★★

"The Mysore shawl is the one piece I reach for every week. Light enough for London spring, substantial enough for the office. Revathi wrote me a handwritten note with the despatch. Who does that any more?"

Helen Carter

Edinburgh, UK

Mysore Silk Shawl, Ivory & Gold

★★★★★

"I bought the temple-border cotton for daily wear and now I own three. The colour deepens with washing, as they said it would. I have recommended The Gomathi to six friends in California. All six have ordered."

Asha K.

San Francisco, USA

Temple Border Cotton Saree

From the loom, directly.

No middlemen. No warehouse. No wholesale. Just the weaver, the saree, and you.

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